Tea Bowls

Contemporary vessels for the Japanese Tea Ceremony

Matcha is finely ground Japanese green tea for the Tea Ceremony.

Matcha is finely ground Japanese green tea for the Tea Ceremony.

 

In Pursuit of Serenity

This collection of bowls represents my journey into the world of Japanese aesthetics.

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The Sabi Look

The concept of sabi carries the meaning of "aged". It refers to the rustic charm of old objects that lends them their beauty, and their ability to evoke feelings of serenity and solitude. This chawan has a sabi look thanks to its glaze, which has the appearance of black, weathered iron, with a slight patina of rust.

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Wabi Style. Finding beauty in imperfection.

Tomari. The unexpected beauty of glaze drops frozen in time.

The foot of the chawan, the kodai, reveals the quality of the clay and the potter's skill and spirit.

Statement

As a tea bowl artisan, my role is to make works capable of speaking out to the soul, evoking memories, nurturing the imagination and elevating the spirit, to enrich the tea-drinking experience.

I draw my inspiration from classic Japanese tea bowls -chawan- made during the Momoyama Period (1568-1603). These rustic bowls, also known as Chôjirô ware, are a striking manifestation of sober elegance, unpretentious beauty, and weathered grace. They are the epitome of the Wabi style, which favours quiet simplicity and finds beauty in imperfection.

In Japan, tea bowls are considered the dominant expression of Zen art. 

My motivation is a constant pursuit of serenity. My work is traditional in form and function but imbued with a modern twist. I am continually exploring different glazing techniques, both ancient and contemporary, and through a cross-cultural perspective. 

Each chawan is carefully handcrafted, using a technique called kurinuki, which involves carving the bowl out of a solid piece of clay. The process of shaping the vessel into its final form demands spontaneity and skill. A proper bowl should not only be beautiful but also "feel right" and sit comfortably in the curves of the hands. 

The ritual of preparing matcha, holding the warm bowl in my hands, and enjoying the aroma and flavour of tea in every sip, brings me back in touch with my inner self. This allows me to experience a blissful moment of clarity when I can feel, rather than think, and be fully aware of the present. 

In Pursuit of Serenity

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Tiger ⋅ 2014

White clay  glazed with Terra Sigillata made with clay from the town of Buño in Northern Spain. 

Hikidashi and oil spraying. ⋅ W: 10.4 cm, H: 7.2 cm 

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Nichibotsu ⋅¨The Sunset¨⋅ 2014

Red clay from Chinautla, a town in Guatemala.⋅ Ember buried vessel⋅ W: 10.5 cm, H: 8.4 cm 

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Roteki ⋅¨Dewdrop¨⋅ 2014

Grogged clay ⋅ Electric firing @ 1250ºC ⋅ W: 10.6 cm, H: 8 cm

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Bishamonten ⋅ 2014

Grogged clay ⋅ Electric firing @ 1250ºC⋅ W: 10.5 cm, H: 8 cm 

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La Niebla ⋅ ¨The Fog¨ ⋅ 2014

Grogged clay ⋅ Electric firing @ 1250ºC ⋅ W: 11 cm, H: 7.7 cm 

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Kage ⋅ ¨Shadow¨ ⋅ 2019

Grogged clay with Manganese ⋅ Electric firing @ 1250ºC ⋅ W: 10 cm, H: 7.8 cm 

La Noche · 2022

Grogged “Gris” clay • Mark Schneider’s matte black glaze • High temperature electric firing at Tierra y Tiempo

H: 8cm W: 11.5cm

El Juego · 2022

Grogged “Gris” clay • Mark Schneider’s matte black glaze • High temperature electric firing at Tierra y Tiempo

H: 9.2 cm • W: 12 cm

Luna Negra · 2022

Grogged “Gris” clay • Mark Schneider’s matte black glaze • High temperature electric firing at Tierra y Tiempo

H: 8.8cm W: 11.5cm

Yūjō • 友情 • 2022

Barro de Buño • Mark Schneider’s matte black glaze • High temperature electric firing at Tierra y Tiempo

H: 8.2cm W: 11.2cm

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